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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Gallop, Annabel Teh | - |
dc.date.accessioned | 2023-05-31T08:34:25Z | - |
dc.date.available | 2023-05-31T08:34:25Z | - |
dc.identifier.uri | https://ptsldigital.ukm.my/jspui/handle/123456789/392581 | - |
dc.description.abstract | Since the text of the Qur'an was codified by the Caliph 'Uthman in the 7th century, Qur'an manuscripts all over the world, and in all centuries, have shared the same contents. It is only in their outward appearance paper, calligraphy, binding and decoration - that Qur'an manuscripts differ and reflect their date of writing and origin, and on the basis of illumination and script alone it is easy to distinguish between a Maghribi Qur'an from north Arfica, a Mamluk Qur'an from Egypt, a Mughal Qur'an from India, and a Ming Qur'an from China. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Institut Alam dan Tamadun Melayu (ATMA), Universiti Kebangsaan Malaysia (UKM); Kandis Resource Centre Sdn Bhd | en_US |
dc.subject | Manuscript | en_US |
dc.subject | Malay arts | en_US |
dc.title | Palace and pondok: artistic patronage on the East coast of the Malay Peninsula | en_US |
dc.type | Seminar Papers | en_US |
dc.format.pages | 1-8 | en_US |
dc.identifier.callno | NK9779.S439 sem | en_US |
dc.contributor.conferencename | Seminar Seni Ukir Kayu Melayu: Warisan Nik Rashiddin Nik Hussein | - |
dc.coverage.conferencelocation | Villa Danialla Beach Resort, Kampung Kandis, Bachok, Kelantan | - |
dc.date.conferencedate | 2008-11-23 | - |
Appears in Collections: | Seminar Papers/ Proceedings / Kertas Kerja Seminar/ Prosiding |
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