Please use this identifier to cite or link to this item: https://ptsldigital.ukm.my/jspui/handle/123456789/392581
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dc.contributor.authorGallop, Annabel Teh-
dc.date.accessioned2023-05-31T08:34:25Z-
dc.date.available2023-05-31T08:34:25Z-
dc.identifier.urihttps://ptsldigital.ukm.my/jspui/handle/123456789/392581-
dc.description.abstractSince the text of the Qur'an was codified by the Caliph 'Uthman in the 7th century, Qur'an manuscripts all over the world, and in all centuries, have shared the same contents. It is only in their outward appearance paper, calligraphy, binding and decoration - that Qur'an manuscripts differ and reflect their date of writing and origin, and on the basis of illumination and script alone it is easy to distinguish between a Maghribi Qur'an from north Arfica, a Mamluk Qur'an from Egypt, a Mughal Qur'an from India, and a Ming Qur'an from China.en_US
dc.language.isoenen_US
dc.publisherInstitut Alam dan Tamadun Melayu (ATMA), Universiti Kebangsaan Malaysia (UKM); Kandis Resource Centre Sdn Bhden_US
dc.subjectManuscripten_US
dc.subjectMalay artsen_US
dc.titlePalace and pondok: artistic patronage on the East coast of the Malay Peninsulaen_US
dc.typeSeminar Papersen_US
dc.format.pages1-8en_US
dc.identifier.callnoNK9779.S439 semen_US
dc.contributor.conferencenameSeminar Seni Ukir Kayu Melayu: Warisan Nik Rashiddin Nik Hussein-
dc.coverage.conferencelocationVilla Danialla Beach Resort, Kampung Kandis, Bachok, Kelantan-
dc.date.conferencedate2008-11-23-
Appears in Collections:Seminar Papers/ Proceedings / Kertas Kerja Seminar/ Prosiding

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