Please use this identifier to cite or link to this item: https://ptsldigital.ukm.my/jspui/handle/123456789/577311
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dc.contributor.authorVladimir Braginsky
dc.date.accessioned2023-11-06T02:44:09Z-
dc.date.available2023-11-06T02:44:09Z-
dc.identifier.issn0128-1186
dc.identifier.otherukmvital:76844
dc.identifier.urihttps://ptsldigital.ukm.my/jspui/handle/123456789/577311-
dc.descriptionSufi ideas exerted a great influence on nearly every aspect of traditional Malay literature of the late 16th to the 17th century. Not only Malay literary practice of that age owed much to the Sufi inspiration, equally important is the fact that Sufism brought to life a pre-modern Malay literary theory including, inter alia, fundamental concepts of literary aesthetics. On the basis of a poem by Hamzah Fansuri and Sufi allegories Hikayat Inderaputera and Hikayat Si Burung Pingai the article investigates the Sufi doctrine of imagination as a particular world all of its own, the “aesthetics of light” expressed through specific illumination of portrayed events and “lighting effects”, and the “aesthetics of ecstasy” communicated through acoustic and olfactory images. By embodying these aesthetics in the “flesh and blood” of literary works, their creators not only managed to reveal Sufi doctrines with more clarity and beauty, but also let their audience experience them both intellectually and emotionally.
dc.language.isoen
dc.publisherDewan Bahasa dan Pustaka
dc.relation.haspartMalay Literature
dc.relation.urihttp://malayliterature.dbp.my/wordpress/?page_id=6
dc.subjectSufism
dc.subjectHamzah Fansuri
dc.subjectLiterary aesthetic
dc.subjectHikayat Metaphysics
dc.titleLight, sound and fragrance: the impact of sufism on the aesthetics of traditional malay literature
dc.typeJournal Article
dc.format.volume24
dc.format.pages51-69
dc.format.issue1
Appears in Collections:Journal Content Pages/ Kandungan Halaman Jurnal

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